‘Tin Machine’ remains the albatross amid the sterling albums in David Bowie’s creative output. Is this reputation warranted? Adam and Mike spare no expense getting to the heart of the issue. During their journey into the heart of darkness they’ll be considering:
– Is every song too long?
– Is Reeves Gabrels the unsung hero?
– How can one remain “street” and fly first class at the same time?
– Is there any elderly chanteuse Mike doesn’t enjoy listening to?
– Why do racists hate jazz and blues?