Uniform & The Body share the new single “Not Good Enough” from their second monolithic collaboration, Everything That Dies Someday Comes Back, out August 16 via Sacred Bones.
Of the track, Uniform’s Michael Berdan explains, “There is no deeper meaning to Not Good Enough outside of what the title spells out. It is a song about my relationship with my worst enemy: myself. So much of who we become is shaped in our early childhood. For me, my identity was that of a heavy set kid with a learning disability from a broken home in a rougher neighborhood. I may have grown up. My physical body may have changed. I may have made peace with my family. I may have escaped my hometown. I may have developed techniques to function as an adult. In the end, in my mind, it means little to nothing. I am still the hyperactive fat kid who can’t stay still and gets beat up in the nearby park. Self knowledge avails me little. True or not, I will never be complete. I will always be defective. I will never be good enough. All of the love and success and acceptance in the world will never heal the scared little kid in my head.”
Comprised of an amalgam of abrasive influence that spans Swans-y dirge and purge, Whitehouse’s clenched-jaw noise, middle-period Ministry’s penchant for metallic post-industrial everything, New Order’s nose for melodic emotionality, and Juicy J-inspired beats, Uniform and The Body’s approach delves deeper down the rabbit hole than before, igniting a sonic world of terror and bliss poised to grip the throats of fans yet again.
Much like the collective’s bombastic debut, Everything was built over a series of collaborative sessions with Seth Manchester at Machines with Magnets in Rhode Island, mixing industrial-influenced synths, squalls of harsh noise, manipulated guitar, oodles of samples along with hard rock-inspired riffs, saccharine pop, and the alternately antagonistic and harrowing vocals of Michael Berdan and Chip King. The result is nine tracks of ear-bleeding and confrontational fury with defined moments of beauty that bring to mind equal parts No Trend, Merzbow, and Information Society while forging a path that is distinctly their own.Everything That Dies Someday Comes Back is specifically culled from the immortal Bruce Springsteen effort Nebraska, joining a long line of literary and cinematic references that pepper the album. And while the title is specific to that lyric, the sentiment also ties into author James Elroy and his notion that closure is an illusion, a conclusion found in his 1996 effort ‘My Dark Places’. Dealing with tragic loss is never a closed book, and the details, circumstances, and inherent emotions that surround coping never end, they just morph into something else, only to rear their ugly head again later in life.